Technique in focus:“On the diminished 5th that goes to the 3rd” Regola 30 – Partimento Regola 30 from Durante emphasises the realisation of diminished 5/3 chords resolving onto major or minor 5/3 chords. This can be found throughout the partimento where Durante adds the figure ‘5’ followed by ‘3’ on the ascent of the bass […]
Category: Music Analysis

“If I have one regret about my traditional education, it’s that it wasn’t traditional enough. We have forgotten that in the eighteenth century – those hundred years that form the bedrock of classical music – improvisation was a foundation of music training. Oddly, our discipline has discarded a practice that helped bring it into being. […]
Sala – No. 14
The partimenti of Nicola Sala (1713-1801) focus more on counterpoint than pedagogues from the Durante schools of Partimento. Sala teaches invertible counterpoint through presenting themes in the bass followed by their countersubject (which he sometimes marks with a Signa Congruentia ‘:S’ or ‘S:’ (Van Tour, 2017, Introduction)). The theme (interesting) must be played over the […]
Durante – Regola 31
Technique in Focus: “On the preparation of the 9th, which stems from the 3rd” This partimento demonstrates the “Up 2nd, Down 3rd” ‘Fonte’ sequence with suspended 9ths. The purpose of this rule prescribed by Durante, is to practise the prepation of a 9th suspension using the 3rd of the preparatory chord. The third of the […]
Durante – Regola 34
Technique in Focus: “On the use of (sequences of) 6/5s” Regola 34 by Durante focuses on the Down 3rd, Up 2nd sequence (this schema is also an example of an inverted Cycle of Fifths). I have used the term ‘Fonte’ to apply to this sequence rather than just the Fonte as prescribed by Riepel (Gjerdingen, […]

The music for Wuthering Heights (Wyler, 1939) was led by “arguably the most influential music director in Hollywood”, Alfred Newman (Cooke, 2008, p. 103). He was an American-born composer at a time when the output of film scores was “dominated by European composers” (Cooke, 2008, p. 103). Edward Powell worked as an uncredited orchestrator for […]

1934 Mark Raphael – Voice; Roger Quilter – Piano 2014 Mark Stone – Voice; Stephen Barlow – Piano Go, Lovely Rose is the third song in Quilter’s Op. 24 ‘5 English Love Lyrics’. This opus, and Op. 25 were “no more than loose collections of solo songs written by Quilter over a period of seven […]
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