Technique in focus:“On the diminished 5th that goes to the 3rd” Regola 30 – Partimento Regola 30 from Durante emphasises the realisation of diminished 5/3 chords resolving onto major or minor 5/3 chords. This can be found throughout the partimento where Durante adds the figure ‘5’ followed by ‘3’ on the ascent of the bass […]
“If I have one regret about my traditional education, it’s that it wasn’t traditional enough. We have forgotten that in the eighteenth century – those hundred years that form the bedrock of classical music – improvisation was a foundation of music training. Oddly, our discipline has discarded a practice that helped bring it into being. […]
Sala – No. 14
The partimenti of Nicola Sala (1713-1801) focus more on counterpoint than pedagogues from the Durante schools of Partimento. Sala teaches invertible counterpoint through presenting themes in the bass followed by their countersubject (which he sometimes marks with a Signa Congruentia ‘:S’ or ‘S:’ (Van Tour, 2017, Introduction)). The theme (interesting) must be played over the […]
The recordings made by Adelina de Lara, Ilona Eibenschütz and Etelka Freund are interesting case studies to consider. These are women whose professional performing careers were “curtailed by marriage” (Kim, 2012, p.52). This removal from performing life kept, to some degree, their performing practices away from the changing musical culture of the 20th century. Therefore, […]
1934 Mark Raphael – Voice; Roger Quilter – Piano 2014 Mark Stone – Voice; Stephen Barlow – Piano Go, Lovely Rose is the third song in Quilter’s Op. 24 ‘5 English Love Lyrics’. This opus, and Op. 25 were “no more than loose collections of solo songs written by Quilter over a period of seven […]
You must be logged in to post a comment.