Charting the continual progress of my studies with the great Partimento master Ewald Demeyere. No. 3 is a beautiful partimento! Songbird Music Academy: https://www.youtube.com/channel/UCttPuALmPS-8O4l_cfa144ghttps://www.songbirdmusicacademy.com/ Ewald Demeyere: https://www.youtube.com/user/ewalddemeyere1https://www.ewalddemeyere.be/ John Mortensen: https://www.amazon.com/Pianists-Guide-Historic-Improvisation/dp/0190920408https://www.patreon.com/ImprovPlanethttps://www.youtube.com/user/cedarvillemusichttp://www.johnmortensen.com/ Art of Partimento (Giorgio Sanguinetti): https://www.amazon.com/Art-Partimento-History-Theory-Practice/dp/0195394208 Art of Partimento (Facebook Group): https://www.facebook.com/groups/195221033967849 Peter van Tour: https://www.amazon.com/Counterpoint-Partimento-Eighteenth-Century-Universitatis-Musicologica/dp/9155491979http://www.vantour.se/ The Solfeggio Tradition (Nicholas Baragwanath): https://www.amazon.com/Solfeggio-Tradition-Forgotten-Eighteenth-Century/dp/0197514081
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The first set of Impromptus (D.899) was written in the penultimate year of Schubert’s life, the summer of 1827. It was Schubert’s publisher, Haslinger, who titled this set of piano works. Initially, only the first two Impromptus were published in late 1827 (Fisk, 2001, p.115). Schubert wrote the two sets of Impromptus in the same […]
The recordings made by Adelina de Lara, Ilona Eibenschütz and Etelka Freund are interesting case studies to consider. These are women whose professional performing careers were “curtailed by marriage” (Kim, 2012, p.52). This removal from performing life kept, to some degree, their performing practices away from the changing musical culture of the 20th century. Therefore, […]
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