Improving PianistsTechnique in focus:“On the tie of a 2nd and a perfect 4th” Introduction My simple realisation of Durante’s regola 27 “On the tie of a 2nd and a perfect 4th”. This partimento is to train the player to resolve the 4/2 (by moving to 6/3) and the perfect 4th (by falling to the 3rd). I […]
There are institutional, individual and perceptual issues at all levels of classical music. The rectification of these issues may lead to a keener understanding of music theory, and a proliferation of classical improvisation at amateur and professional levels of performance and education. I shall deal with those issues which may be resolved through the integration […]
The history of Partimento and its usage is a much-developed area of scholarship. In this chapter I have dealt with what the Partimento tradition was, and what partimenti are. Studying the rise of partimenti, the lineage and the fall of Partimento methods are also of considerable interest (Sanguinetti, 2012; van Tour, 2015; Gjerdingen, 2018). The […]
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